I absolutely love shooting on foggy, overcast days. Mist and low clouds make the colors of a subject pop, providing naturally heightened contrast. And if I’m really lucky, a little sunlight pierces the gloom to bathe New York in gold.
It took me more than a year to put this series together. Shooting the moon in relation to the skyline requires patience- you have to wait until it's positioned where you want it in the sky, and then hope the weather cooperates. Any combination of clouds, fog or ambient light pollution can ruin the shot. Then you have to wait for the moon to return to the same place in the sky and keep your fingers crossed for better weather. But when it all works out, the results are magical. Take a look at the previous series.
